Folsom Cave, released 20 July 2015
The material on Folsom Cave was recorded from December 2011 to January 2012. These recordings were left dormant for a year before revisiting. With a fresh perspective, I approached the raw material and rebuilt it into the two extended tracks found on the album. The result is an amalgam of various recordings made the previous winter, stitched together in the studio. Warped and wefted.
1. Space: 1-5
2. Trajectory: 1-4
Folsom Cave is available exclusively on Bandcamp and can be found here
The album and track titles are taken From Charles Olson’s Call Me Ishmael (New York: Raynal & Hitchcock, 1947):
I take SPACE to be the central fact to man born in America, from Folsom cave to now. I spell it large because it comes large here. Large, and without mercy.
It is geography at bottom, a hell of wide land from the beginning. That made the first American story (Parkman’s): exploration.
Something else than a stretch of earth— seas on both sides, no barriers to contain as restless a thing as Western man was becoming in Columbus’ day. That made Melville’s story (part of it).
PLUS a harshness we still perpetuate, a sun like a tomahawk, small earthquakes but big tornadoes and hurrikans, a river north and south in the middle of the land running out the blood.
The fulcrum of America is the Plains, half sea half land, a high sun as metal and obdurate as the iron horizon, and a man’s job to square the circle.
Some men ride on such space, others have to fasten themselves like a tent stake to survive. As I see it Poe dug in and Melville mounted. They are the alternatives.
Americans still fancy themselves such democrats. But their triumphs are of the machine. It is the only master of space the average person ever knows, oxwheel to piston, muscle to jet. It gives trajectory.
To Melville it was not the will to be free but the will to overwhelm nature that lies at the bottom of us as individuals and a people. Ahab is no democrat. Moby-Dick, antagonist, is only king of natural force, resource.